Friday, 25 April 2014


A BRIEF HISTORY OF MANIPURI CINEMA
Roshan Lai

THE BEGINNING

Films were first displayed to the public by the Lumiere Brothers to a paying public in the basement of the Salon of Paris Grande CafĂ© on December 28, 1895. Cinema in India established its forting on July 7, 1896 at the Watson Hotel in Bombay. 

Moving Pictures came to Manipur in 1920s, two decades after the invention of cinema. People called it “Basikop”(a corrupted expression of Bioscope). It became the highest form of urban entertainment. Screening of films in Manipur was held at the Royal palace, the cantonment hall (4th Assam rifles) and the Victory Club hall, Babupara. During these days, peope witnessed silent movies.

Sound film was screened in Manipur from 1936, not much later than the release of the first Indian talkie “Alam Ara” on March 14, 1931. “Prahlad” a mythological fm was firs screened at the ipur Talkie House which was popularly known as kasturigee Hall as thye owner was Kasturi Chand Saraogi. It was situated at place near present Hind Jalpan Hotel, Paona bazaar. Tickets were printed at the Churachand printing Works, Sagolband Meino Leirak. Before long another cinema house came into existence at Thangal bazaar and people called it Ramkumargee hall. However, a prominent cinema house established before the war Diana Talkie just on the very spotn of today’s Friends talkies. It exhibited pictures till the day just before the bombing of Imphal on May 10, 1942.  The last picture war Mei Hari.

Cinema houses were rapidly set up in the 1930s. Sougaijam Nabakumar from Moirangkhom constructed a cinema house called chitrangada at the place where the Manipur State Road transport Corporation now stands. Dada Saheb’s Raja Harishchandra was screened at this cinema house. A talkie house just to the north of Singjamei Bazar was set up during the 1939-40 period. All the cinema houses however ceased to exist at the outbreak of the war.

During the years of war- between mid and late forties, Friends Talkies, Victory cinema, MNB Cinema and Imphal Talkies were set up. However, MNB Cinema was ultimately dissolved.

Manipuri cinema began when MK Priyobrata made films of actuality in1936. He was completely enchanted by the Charlie Chaplin films he had seen regularly at Raipur where he received his school education in the 1920s. on his return to Imphal and acting on thye advice of Col. Dr. Tylor, civil surgeon of Manipur Hospital, MK Priyobrata purchased an 8mm movie camera and went on filming socio-economic events and other happenings in the existing milieu and many trips to places in and out of Manipur. His covering of Hiyang Tannaba is textured with great imagination and expression. The films were shown to many people in the palace. RK Joy showed the films at the Chitrangada Natya Mandir Hall with tickets sold. The war and his becoming Chief Minister of Mnipur at the end of the war made him turn away from being a film maker in his own rights. Some of his short films are in archive of X-Cine Studio, Paona Bazar.

With easy money coming from the war boom a few persons- Ayekpam Biramangol, Sougaijam Nabakumar, Sinam Krishnamohol etc. tried their hands in producing a film in 1946-47. Rathin Sen, an employee of Calcutta Commercial bank, Imphal branch was collaborated to make all sorts of contact with Kali Studio, Calcutta and necessary arrangements. Mainu Pemcha a famous play of Rupmahal theatre was translated into Hindi by Bithal Das for making film out of it under the same title. The prospect of marketability being the guiding factor, the film has been done in Hindi. Thambalngoubi Devi played the title role. Laishram Netrajit, Kangabam Gojendra, khwairakpam Momon etc. were other artistes in the film. The film was made under te banner- Shri SHri Govindaji Film Productions. Ultimately they could not go beyond nine reels due to lack of sufficient fund for further investment. Some of the nine reels were screened as trailor at the Victory Cinema and Imphal Talkies. Had the film been completed, it might have been a milestone in the history of Manipuri Cinema and an impetus to the emergence of early Manipuri cinema and film makers as well.

Kongbrailatpam Ibohal Sharma, a professional photographer, took up the unsuccessful mission of film making in the early period. Ibohal made seven silent features – Ningthemcha Ahum(1960), Ichel(1961), Mongpham(1962), Cultural Heritage(1964), Imphal Diary, part I&II(1965-68). He experimented and explored a vast range of techniques only to find means of filmmaking indigenously and economically.

On April 9, 1972, for the first time a full-length feature Matamgee Manipur was released under the banner of K.T Films. It was produced by Karam Monomohan(aka Karam Amumacha) and directed by Debkumar Bose. It bagged the President’s Award in the National Film Festival of India in 1973.

Another notable film which closely followed Matamgee Manipur was Sajatia Films “Brojrndragee Luhongba” produced and directed by SN Chand. It was released on 14th July,1972 simultaneously at the Asha Cinema and Friends Talkies. It bagged the Best Screenplay Award in the Manipur State Film  Festival in 1984. It bears the immense contribution and selfless service to Manipuri cinema by the film’s director SN Chand. He quit attractive government service only to be a producer, scriptwriter, music-director, singer, actor and director of Brojendragee Luhongba.

Some of the celluloid films made in Manipur.

1972: Matamgi Manipur.(35mm B&W)

            Produced by Karam Monomohan for K.T Films Private Limited.

            Story: Arambam Samarendra

            Screenplay and Direction: Debkumar Bose.

            Music: Aribam Shyam Sharma

            Cast: G. Ravindra Sharma, Yengkhom Roma, Kangabam Birbabu, Kangabam Tomba,

Rashi,Indira, A. Lokendra etc.

The film bagged the President’s Medal in the 20th National Film festival in 1972.

            :Brojendragee Luhongba. (35mmB&W)

            Produced by SN Chand for Sajatva Pictures.

            Story: Lamabam Kamal

            Direction, screenplay and music: SN Chand

            Cast: SN Chand, Romobala Devi

The film bagged the Best Screenplay Award in the first Manipuri State Film Festival in 1984.

1974: Lamja Parsuram.(35mm B&W)

            Produced by G. Narayan Sharma for NS Films.

            Story: GC Tongbra

            Direction and Music: Aribam Shyam Sharma

            Casts: Kangabam Tomba, Yengkhom Roma, Beda, Jugeshwar etc.

            : Ngak-E-Ko Nangshe. (35mm B&W )

            Produced by Wangkhem Basanta for Poonam Films.

            Direction: SN Chand

            Music: N. Pahari

            Casts: Y. Mangibabu, Rajani

1976: Saphabee. (35mm B&W)

            Produced by G. Narayan Sharma for NS films

            Direction and music: Aribam Shyam Sharma

Story and screenplay: S. Bormani

Casts: Kangabam Tomba, Subadani

 The film bagged the Rajat Kamal for Best Regional Film in the 24thNational Film Festival in 1976.

1979: Khutthang Lamjel (35mm B&W)

            Produced by Thongam Haridas for A.T Films

            Direction, story and screenplay: GC Tongbra.

            Cast: O. Birla, Sobita Devi

1980: Olangthagee Wangmadasoo (35mm B&W)

            Produced by G. Narayan Sharma for NS Films

            Direction: A. Shyam Sharma

            Story and screenplay: MK Binodini

            Casts: Kangabam Tomba, Yengkhom Roma, Rashi, Keshoram, Tondon and Joykumar.

The film bagged the Rajat Kamal for Best Regional Film in the 27th National Film Festival in 1980.

1981: Imagi Ningthem. (35mm B&W)

            Produced by Kongbrailatpam Ibohal Sharma for X-Cine productions.

            Direction: Aribam Shyam Sharma.

            Story and screenplay: MK Binodini

            Casts: Rashi, Ingudam Mangi, Bhubaneshwari, Indrakumar, Jamini, Memcha, Gayatri and Master Leikendra

The film was awarded the prestigious Grand Prix at Nantes International Film Festival in France in 1981.

It bagged the Rajat Kamal for Best Regional Film in the 29th National Film Festival in 1982. It also bagged National Award for Best Child Actor (Master Leikendra).

The film participated in the New Director/ New Films at New York and several other International Film festivals at Denver, Locarno, Momma (New York), London, Los Angeles, Toronto, Montreal and Hong Kong.

The most notable of these International Film Festivals was the Festival of Festivals at Toronta in 1983. The film was screened at Filmosav ’82 in Calcutta.

The Film also bagged the Best Feature Film Award in the First Manipur State Film Festival in 1984.

1981: Khonjel (35mm B&W)

            Produced by: Moirangthem Nilamani Singh for Anjana Film

            Direction and screenplay: M. Nilamani Singh,

            Cast: Moirangthem Ashwinikumar , L.Subadani.

            : Wangma Wangma 35mm B&W

            Produced by: Durlab for Eastern Star Films,

            Direction and screenplay: L. Banka Sharma,

            Casts: Iboyaima , Kanan, Sanayaima.

1983: Sanakeithel (35mm B&W)

            Produced by : Thoudam Dorendra for A.T.B films International,

            Direction, screenplay and editing: M.A Singh

            Casts: Memi, Master Toni, Somo Anawali, Shanawas, Upen, Manaobi, Ibeyaima and Lalit.

            The film bagged the Rajat Kamal for Best Regional Film at the 31st National Film Festival in 1984.

:Paokhum Ama (16mm Colour Short feature)

            Produced by Film Divisions of India

            Direction: Aribam Shyam Sharma

            Story and screenplay: MK Binodini

            Casts: Kangabam Tomba, Yengkhom Roma and others.

The film participated in the Tyneside International Film Festival in 1983.

1984: Thaba (16mm B&W short feature)

            Produced by Kh. Sakhi Devi for Kay Pee Films International

Direction: K. Ibohal Sharma

Casts: R.K Sushila, Prafullo

: Langlen Thadoi. (35mm colour)

The first full length feature film in Manipuri.

Produced by Kh. Sakhi Devi for Kay Pee Films International.

Screenplay and art: Kh. Pramodini

Direction: M.A Singh

Casts: Wangkheirakpam Chandrasakhi, K. Tejmani and M. Lalit.

 : Yairipok Thambalnu (35mm B&W)

Produced by H. Gehendra Singh for Liberty Films

Direction: L. Banka Sharma.

Story: M. Ramcharan

Casts: Kangabam Birbabu, Hemabati, Rajani, Ch. Nilbir, G. Robindro etc.

1986: Iche Sakhi, (35mm colour )

Produced by Thoudam Dorendra for A.T.B Films International.

Co-direction: Th. Dorendra and Sanakhya Ibotombi

Story: Th. Dorendra

Screenplay: S. Ibotombi

Casts: Sakhitombi, Ibochouba, Imobi, Oken Amakcham, Inakhunbi.

1989: Kombirei.( 35mm colour)

            Written and Produced by G. Narayan Sharma for N.S Films.

            Direction and screenplay: G. Narayan Sharma

            Casts: Diya, Nirmala, Kanan, Nabakanta, Keshoram, Tondon etc.

1990: Ishanou (35mm colour)

            Produced by Guwahati Doordarshan.

            Direction and music: Aribam Shyam Sharma.

            Story, screenplay and costume: MK Binodini

            Casts: Anoubam Kiranmala, Kangabam Tomba, Manbi, Dhiren, Baby Molly and Baby Premita.

The  film bagged the Rajat Kamal for the Best Regional Film in the 38th  National Film Festival in 1991.

The film was screened in the Indian Panorama section of the 22nd IFFI in  1991.

The film bagged the Special Mention for the Main Actress (Anoubam Kiranmala).

The film was the official selection in UN CERTAIN REGARD at the Cannes International Film Festival in 1991.

The film participated in International Film festivals at London, Seattle, Singapore, Toronto, Vancouver, Fribourg, Hawaii and Nantes.
The film also bagged the Best Feature Film Award in the second Manipur State Film Festival in 1994.

: Ingallei. (35mm colour.)

            Produced by M. Kumarjit for M.K Films.

            Story: Tejkumar

            Direction and screenplay: R.K Kripa

            Casts: Diya, Deben, Babita.

1991: Paap. (35mm colour.)

            Written and produced by M. Nilamani Singh for Anjana Films.

            Direction: M. Nilamani Singh.

            Casts: M. Ashwinikumar, Sunanda, L.Nirmala etc.

1992: Khonthang.( 35mm colour)

            Produced by Thouyamba and Thoungamba for P.K Films.

            Direction: Oken Amakcham.

            Story: R.K Banna

            Casts: Devala, Rishikanta, Oken, Rajen, Kishorjit etc.

The film was screened in the Indian Panorama section of IFFI 1993.

1993: Sambal Wangma.( 35mm colour.)

            Written and produced by Ph. Sobita Devi for X- Cine Productions.

            Direction and screenplay: K. Ibohal Sharma

            Casts: Khun Joykumar, Parvati, Star Kamei, K.Jiten Sharma etc.

The film bagged the Rajat Kamal for Best Regional Film in the National Film Festival in 1993.

The film also bagged the Best Screenplay Award in the second Manipuri State Film Festival in 1994.

            : Thambal. (35mm colour.)

            Co-produced by L. Surjakanta Sharma and L. Vishnu Sharma for Pony Productions.

            Direction and screenplay: R.K Kripa

            Casts: Diya, R.K Amarjit, Indira, Tomba etc.

            : Madhabee.

            First Manipuri film in direct 35mm colour format.

Produced by K. Bhupendra Sharma for K.B Films.

Story: Lamabam Kamal

Direction: L. Banka Sharma

Casts: Diya, R.K Jnanranjan, Priya, Ratnamala, Bimola etc.


1994: Mayophygee Macha. (35mm colour.)

            Produced by Thouyamba and Thounagmba for P.K Films.

            Direction: Oken Amakcham.

            Story and Screenplay: MK Binodini

            Casts: Makhon Mani Mongshaba, RC Joycee, Narendra Ningomba,etc.

The film bagged the Rajat Kamal for Best Regional Film in the National Film Festival in 1995.

1995: Sanamanbi Sanarei. (35mm colour.)

            Produced by G. Narayan Sharma for N.S Films.

            Direction, story and screenplay: G. Narayan Sharma.

            Casts: Diya, Laimayum Nirmala, Amarjeet etc.

            : Sanabi. (35mm colour.)

            Produced by National Film Development Corporation and Doordarshan.

            Direction and Music: Aribam Shyam Sharma.

            Script: MK Binodini

            Casts: RK Sushila, Deven, Nobokumar etc.

The film bagged the Rajat Kamal for Best Regional Film in the National Film Festival in 1996.

It was screened in the Indian Panorama section of the 27th IFFI at New Delhi in January 1996.

It participated in the Cairo International Film Festival in December 1996.

            : Khamba Khamnu. (35mm colour)

            Produced by Chandam Shyamacahram for C.S Films Imphal Productions.

            Script: Th. Nodia

            Direction and screenplay: Ch. Shyamacharan

            Casts: Ch. Dhrabajit, A. Dema, Seema etc.

1996: Kanaga Hinghougani. (35mm colour)

            Co-produced by Chan Heisnam and K. Pramodini Devi for Bright Films Productiona and Shankar Films.

            Direction: Chan Heisnam and Bishwamitra.

            Casts: Radhapyari, Seema, Diya, Bishwamitra, Ahanjao etc.

1997: Khamba Thoibi. (35mm colour)

            Based on a story by hijam Anganghal

            Produced by M. Nilamani

            Direction: M. Nilamani

            Casts: M. Amirkumar, M. Ashwinikumar, Sarjubala and others.

            : Chinglensana. 35mm colour

            Written and Produced by Binapani Thokchom for Bina Films         

Direction: Rajen Meetei.

Casts: R.K Jnanranjan, Konika Khuraijam, Sanatomba, Rakesh.

1997: Chinglensana. 35mm colour

            Produced by Th. Binapani for Bina Films

            Direction: Rajen Meitei

            : Iraal Oirage. 35mm colour

            Produced by Chan Heisnam for Bright Films Manipur

            Direction: Ksh. Kishorekumar

            : Yeningtha Amada. 35mm Colour

            Produced by M. Nilamani/ M. Ashwinikumar

            Direction: M. Nilamani/ M. Ashwinikumar.

1998: Amambasu Anganbani. 35mm colour

            Produced by Chan Heisnam for Bright Films Manipur

            Directed by Ksh. Kishorekumar

            : Thawaigi thawai. 35mm colour

            Produced by Thoungamba/ Thouyamba

            Directed by Thoungamba/ Thouyamba

2001: Thawanmichakna Kenkhrabada. 35mm colour

            Produced by Chan Heisnam for Bright Films Manipur

            Directed by Ksh. Kishorekumar.

RISE OF DIGITAL FILMS

However a decisive turn in Manipuri cinema was witnessed in the year 2000 due to the ban imposed on Bollywood movies by a certain armed group of Manipur. The business of movie theatres was drastically affected as they had to stop screening movies. The theatres were pulled down or either converted into shopping complexes or used for other commercial offices. And the void which was created by the disappearance of Hindi movies was occupied by a new form of art which we now term as digital albums which gave rise to the emergence of a new mode of films ¬the digital film. Unlike making a celluloid film, to produce a digital movie was technically easier, faster and cheaper.

On 24th May 2002 the first digital format film “Lanmei” was released under the banner of ‘Kangla Films Manipur’. It was released at Pratap Talkies, Paona Bazar Imphal. A second film called “Lallasi Pal” was released under the banner of ‘Treasure Island’.  Lallassi Pal is the first film which was fully digitalised. Suddenly with the emergence of these digitally made films, film makers stopped making films in celluloid which was not cost effective in the poor economy of Manipur. In fact celluloid films became extinct in the state. However digital films became immensely popular in the state and thousands of digital films are produced in a year. Today, it has become so popular that many producers and production houses have to wait for a long time to pass the censor board. In 2007 the ‘Film Forum Manipur’ – an organization which has been working with dedication for the development of digital cinemas in Manipur held the ‘First Festival of Manipuri Cinema’ to encourage actors and other people associated with the digital film industry. But unfortunately the Forum has not been able to organize another Film Festival in the state due to the lack of finances. This is largely due to the fact that the state government and other organizations have not given any support to the Forum. Nevertheless despite the lack of such festivals, innumerable films and video albums are produced in the state in order to cater to the demands of the entertainment loving people of the state. And hopefully the rise and development of these indigenously produced films which showcase the diverse culture and tradition of our state will make the state proud by winning laurels all over the world.


Very few people know that Manipur is the first state in India to digitalize all the stages of filmmaking right to the exhibition.

Some of the successful digital films include Lammei(2002), Basantagee Nongallamdai(2006), Inga Nonglakta(2006), Torei(2007), Lakhipurgee Lakhipyari(2007), Mami Sami(2007), Naoshum (2007), Meera Memcha(2008), Nobab(2010), Phijigee Mani(2011) etc.

The rise and development of indigenously produced films showcase the diverse culture and tradition of our state making it proud by winning awards and laurels all over the world.

Mami sami is regarded as one of the best ever made Manipuri films. The film Phijigee Mani bagged the Rajat Kamal for the Best Regional Film in the 59th National Film Awards in 2012. It also won the Best Supporting Actress Award (Tonthoinganbi).

Earlier, digital films were not allowed to enter competitions and festivals. It is because of the hard work of the Manipuri filmmakers that the government if India allowed the entry of digital films in festivals and Indian panorama.

After almost a decade, a celluloid film “Japan Lan da Imphal” was released on 24th August 2012 at the MFDC Auditorium.

No. of released digital films.

SL.NO
YEAR
NO. OF FILMS
1.
2002-2004
83
2.
2005-2006
78
3.
2007
59
4.
2008
65
5.
2009
63
6.
2010
62
7.
2011
56

 (the writer is working as a Public Relations Officer in the Directorate of Information & Public Relations, Govt. of Manipur. He had published and written many articles and also presented in different national and international seminars. )